|
|
Picture
Coming
Soon |
Sound Board Braces: All of my
soundboards are braced in a
traditional x-brace pattern.
Modern techniques and individual
voicing is appointed to each guitar
top. |
|
|
Picture
Coming
Soon |
Back Braces/Caps: As
important as a finely tuned
soundboard, I feel that the
controlled stiffness of the back aids
in the overall response and tonal
qualities of a guitar. Proper
voicing of the back in relationship
to the top and materials being used
will lead to the best overall
projection and desired sound.
Decorative hardwood caps are often
added for both aesthetic purposes as
well as stiffness. |
|
|
 |
Head Stock Caps: There are a
variety of headstock designs and
decorative overlays I use on various
models. Always changing to
adapt to each guitar, my inlay and
design work carry a common theme
throughout each guitar's
personality. Custom options
are available. |
|
|
 |
Reverse Head Stock/Caps: As
with many headstock overlays, my
guitars also have an artistic solid
wood overlay on the reverse side of
the headstock. In addition to
a hand carved volute, this back cap
is both aesthetically pleasing to
the eye as well as a structural
element to a very crucial part of
the guitar neck. |
 |
 |
Back End Flash: As an artist,
I consider all of my guitars to be
works of art as well as fully
functional instruments. With a
love for inlay and marquetry, I
custom design decorative pieces on
the back and tail end of my guitars.
Always changing with what inspires
me at the time. The two always
follow a common theme of design and
wood combinations. The end
result is a striking one of a kind
guitar that can be easily
distinguished as a Wolfsong custom
inlay and designs are available upon
request. |
| |
 |
Binding/Purflings: All of my
bindings and purflings are solid
wood and handmade to compliment the
primary woods being used in each
guitar. |
 |
 |
Nuts/Saddles: I use only the
highest quality of bone for my nuts
and compensated saddles. Both
are meticulously hand crafted to
ensure proper intonation and
playability. Ebony nuts and
other materials may be available
upon request. |
 |
 |
Laminate Necks: I often
construct my necks as a three or
five piece all hardwood laminate.
This theory of neck blank
construction ensures the stability
needed due to seasonal changes or
mixed gauge string set-ups. A
two way adjustable truss rod is
installed to assist in proper neck
relief. The combination of
these two attributes ensures the
stability to an already
aesthetically pleasing guitar neck. |
| |
 |
Tone Woods: My guitars are,
as always, built using only the
finest of tone woods available.
All of my materials have been
properly cured and all guitars
constructed in a controlled
environment to ensure long lasting
stability. |
| |
 |
Labels: My guitars come with
a handmade label located in the
soundhole. Includes company
name, serial # and hand signed. |
| |
|
History: If desired, I offer a step
by step photographed history of your
guitar in the making. At no
extra charge, it's no more than
creating an added bond between luthier and client. This
history is assembled in a small
handmade photo album presented to
you on the completion of your guitar.
Available on custom models only. |